October 17, 2011

 Lord Shiva
 
The Powerful God:
 
Shiva is 'shakti' or power, Shiva is the destroyer, the most powerful god of the Hindu pantheon and one of the godheads in the Hindu Trinity. Known by many names - Mahadeva, Mahayogi, Pashupati, Nataraja, Bhairava, Vishwanath, Bhava, Bhole Nath - Lord Shiva is perhaps the most complex of Hindu deities. Hindus recognize this by putting his shrine in the temple separate from those of other deities.
 
Shiva As Phallic Symbol:
 
Shiva, in temples is usually found as a phallic symbol of the 'linga', which represents the energies necessary for life on both the microcosmic and the macrocosmic levels, that is, the world in which we live and the world which constitutes the whole of the universe. In a Shaivite temple, the 'linga' is placed in the center underneath the spire, where it symbolizes the naval of the earth.
 
A Different Deity:
 
The actual image of Shiva is also distinct from other deities: his hair piled high on the top of his head, with a crescent tucked into it and the river Ganges tumbling from his hairs. Around his neck is a coiled serpent representing Kundalini or the spiritual energy within life. He holds a trident in his left hand in which is bound the 'damroo' (small leather drum). He sits on a tiger skin and on his right is a water pot. He wears the 'Rudraksha' beads and his whole body is smeared with ash.
 
The Destructive Force:
 
Shiva is believed to be at the core of the centrifugal force of the universe, because of his responsibility for death and destruction. Unlike the godhead Brahma, the Creator, or Vishnu, the Preserver, Shiva is the dissolving force in life. But Shiva dissolves in order to create, since death is the medium for rebirth into a new life. So the opposites of life and death and creation and destruction both reside in his character.
 
The Most Fascinating of Gods:
 
He is also often portrayed as the supreme ascetic with a passive and composed disposition. Sometimes he is depicted riding a bull called Nandi decked in garlands. Although a very complicated deity, Shiva is one of the most fascinating of Hindu gods.
 
The God Who's Always High!:
 
Since Shiva is regarded as a mighty destructive power, to numb his negative potentials he is fed with opium and is also termed as 'Bhole Shankar', one who is oblivious of the world. Therefore, on Maha Shivratri, the night of Shiva worship, devotees, especially the menfolk, prepare an intoxicating drink called 'Thandai' (made from cannabis, almonds, and milk) sing songs in praise of the Lord and dance to the rhythm of the drums.

October 16, 2011

Marundheeswarar Temple, Tiruvanmiyur (Chennai)

Location of the templeLocated at Tiruvanmiyur, a southern suburb of Chennai City, about 15 Kms from Chennai Central Railway Station
Lord Shiva known asMarundeeswarar
Female deity known asThiripura Sundari
PathigamThirunavukarasar, Sambandar
How to reachThis temple is well connected by town buses from every part of Chennai city. The temple is situated within ½ Km from Tiruvanmiyur Bus Terminus
Temple addressArulmighu Marundeeswarar Temple
Tiruvanmiyur
Chennai - 600041
This temple is located at about 15 Kms from Chennai Central railway station and about 1 Km from Tiruvanmiyur Bus Terminus. The presiding male deity is Lord Shiva known as Marundeeswarar (Lord of Medicines) manifests himself in the form of Swayambu Lingam. His divine consort is known as Thiripurasundari. According to legend, Lord Shiva is said to have given relief from health problems to the great sage Agasthiyar, the Sun God and the Moon God. It was Sage Agasthiyar who named the deity as Marundeeswarar. Unlike in other Shiva temples, there is no separate shrine for Navagrahas here becaue of the Sun and Moon who are in the prayer mood here. There are shrines for Lord Vinayakar and Lord Subramanya and also to Sage Valmiki. It is said that God Shiva gave Darshan to Sage Valmiki in a dancing pose beneath the temple tree located on the north-west corner of the outer corridor of the temple. Saints Tirunavukkarasar and Thirugnanasambandar, who lived in the 7th century, have composed numerous hymns on their visits to this temple. It is one of the oldest shrines in Chennai city dating back to Chola and Pallava period.
There are 2 five-tier Gopurams at the western and eastern entrances to the temple. The shrine of Lord Marudeeswarar is facing west and the shrine of female deity Tiripurasundari is facing south.There are many carved stone sculptures around the shrine. The west tower entrance directly leads to the shrine of Marundeeswarar. There is also an entrance to the sanctum of Marundeeswarar from the outer southern corridor. The shrine of Lord Thyagarajar can be seen just before this entrance on the left side and the Lord is facing east. The female deity's shrine is located on the north-east corner of the outer corridor and is facing south. The inner corridor surrounding the sanctum of Marudeeswarar houses the idols of Lord Natarajar, 108 Sivlingams, Kalabairavar. On the eastern inner corridor, the sivlingams of Kedareeswarar, Ramanatheswarar, Sundareswarar, Arunachaleswarar and Jambhkeswarar can be seen, all facing west. On the southern inner corridor, the idols of 63 Nayanmars are kept. The idol of Mahavishnu found on the eastern wall of the sanctum deserve special mention.

Tiruvanmiyur Marundheeswarar Temple photos

5 tier west gopuram

kotimaram, palipeetam and Nandhi on the outer western corridor

Temple tree Vanni

outer north corridor

5 tier east gopuram

outer east corridor

outer east corridor - another view

Thiyagaraja mantapam on the outer south corridor

outer south corridor

October 11, 2011

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Sri Ramachandra Aarti


ShriRamchandra Kripalu Bhaj Man Haran Bhava Bhaya DarunamNav-Kanj-Lochan, Kanjmukh, Kar-Kanj, Pad Kanjarunam
Kandarp Agneet Ameet Chabi, Navneel-Neeraj-Sundaram
Pat Peet Maanahu Tadit Ruchi Shuchi Naomi Janak Sutavaram
Bhaj DeenBandhu Dinesh Daanav-Daityavansh Nikandanam
Raghunand AnandKand Koshalchand Dashrath-Nandanam
Sir Mukut Kundal Tilak Charu Udaar Ang Vibhushanam
Ajaanbhuj Shar-Chap-Dhar, Sangram-Jit-Khardooshanam
Iti Vadti Tulsidas Shanker Shesh-Muni-Man-Ranjanam
Mam Hridaya-Kanj Nivas Kuru, Kamadi Khal-Dal Ganjanam
Man Jahi Racheyoo Milihi So Bar Sahaj Sunder Sanvaro
Karuna Nidhaan Sujaan Sil Sanehu Jaanat Raavaro
Ahi Bhanti Gauri Asis Suni Siya Sahit Hiya Harshi Ali
Tulsi Bhavanihi Puji Puni Puni Mudit Man Mandir Chali
 

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Ganesh Aarti


Jai Ganesh Jai Ganesh Jai Ganesh DevaMata Jaaki Parvati Pita Mahadeva
Laduvan Ka Bhog Lagey Sant Karey Seva
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Ek Dant Dayavant Char Bhuja Dhari
Mastak Sindur Sohay Musey Ki Savari
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Mata Jaaki Parvati Pita Mahadeva
Andhan Ko Aankh Det Koryan Ko Kaya
Baanjhan Ko Putra Det Nirdhan Ko Maya
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Mata Jaaki Parvati Pita Mahadeva
Haar Chadey Phool Chadey Aur Chadey Meva
Surdas Sharan Aayo Sufal Keejay Seva
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Mata Jaaki Parvati Pita Mahadeva
Deenan Ki Laaj Raakho Shambhu Sut Vaari
Kaamna Ko Poora Karo Jag Balihari
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Mata Jaaki Parvati Pita Mahadeva

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Lord Shiva Aarti

Jai Shiv Omkara Har Jai Shiv OmKaraBrahma Vishnu Sadashiv Ardhaangi Dhaara
Ekanan Chaturanan Panchanan Raajey
Hansanan Garurasan Vrishvaahan Saajey
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Do Bhuj Chaar Chaturbhuj Das Bhuj Te Sohey
Teeno Roop Nirakhta Tribhuvan Jan Mohey
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Akshmala Banmala Mundmala Dhaari
Chandan Mrigmad Sohay Bholay Shubhkari
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Shwetambar Pitambar Baagambar Angey
Sankadik Brahmadik Bhutadik Sangey
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Karkey Madhya Kamandal Chakra Trishul Dharta
Jagkarta Jagbharta Jagsanhaarkarta
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Brahma Vishnu Sada Shiv Jaanat Aviveka
Pranvaakshar Madhye Ye Teeno Eka
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara
Trigun Shivji Ki Aarti Jo Koi Nar Gaavey
Kahat Shivanand Swami Manvaanchit Phal Paavey
Jai Shiv Omkara Har Jai Shiv OmKara
Brahma Vishnu Sadashiv Ardhaangi Dhaara

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Lord Vishnu Aarti


Om jai jagdish harey, Swami jai jagdish harey Bhagt jano ke sankat, shan mein door karey Om jai jagdish hareyJo Dhiyavay phal pavay dukh binase man ka Swami dukh binase man ka Sukh Sampati ghar aavey kasht mitay tan ka Om jai jagdish harey
Mat Pita tum mere, sharan pau kisaki Swami sharan pau kisaki Tum bin aur na duja aash karoo jisaki Om jai jagdish harey
Tum pooran parmatma tum antaryami Swami tum antaryami Par Brahm parmeshwar tum sabke swami Om jai jagdish harey
Tum karuna ke sagar tum palan karta Swami tum palan karta Mae murakh kul kami kripa karo bharta Om jai jagdish harey
Tum ho ek agochar sabh ke pranpati Swami sabh ke pranpati Kisa bida milu gusai tumko mae kumati Om jai jagdish harey
Din Bandu dukh harta thakur tum mere Swami thakur tum mere Apne hath uthao, apnay charan lagao Dwar khada tere Om jai jagdish harey
Vishay vikar mitao pap haro deva Swami pap haro deva Sharda Bhakti Badao, Santan ki sewa Om jai jagdish harey
Om jai jagdish harey, Swami jai jagdish harey Bhagt jano ke sankat, shan mein door karey Om jai jagdish harey

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Santoshi Maa Aarti



Jai Santoshi Mata, Maiya Santoshi Mata,
Apane Sevak Jan Ki,Sukh Sampati Data.
Jai Santoshi Mata
Sundar Chir Sunahari Ma Dhaaran Kinho,
Hira Panna Damake, Tan Shringaar Linho.
Jai Santoshi Mata
Geru Laal Chata Chavi,Badan Kamal Sohe,
Mand Hansat Karunamayi Tribhuvan Man Mohe.
Jai Santoshi Mata
Swarn Sinhasan Baithi,Chanvar Dhure Pyare ,
Dhup,Dheep,Madhumeva, Bhog Dhare Nyare.
Jai Santoshi Mata
Gud Aur Chana Paramapriya,Tame Santosh Kiye.
Santoshi Kahalai, Bhaktan Vibhava Diye.
Jai Santoshi Mata
Shukravar Priya Manati, Aj Divas Sohi .
Bhakt Mandali Chai, Katha Sunat Mohi.
Jai Santoshi Mata
Mandir Jagmag Jyothi, Mangala Dhwani Chai .
Vinay Kare Ham Sevak, Charanan Shiri Nai.
Jai Santoshi Mata
Bhakti Bhavamay Puja, Angikrut Ki jai .
Jo Man Base Hamare, Ichhith Fal Dije.
Jai Santoshi Mata
Dukhi, Daridri, Rogi, Sankatamukt Kiye,
Bahu Dhan-Dhany Bhare Ghar, Sukh Saubhagy Diye.
Jai Santoshi Mata
Dhyan Dharyo Jan Tera, Manavanchit Fal Payo.
Puja Katha Shravan Kar, Ghar Aanand Ayo.
Jai Santoshi Mata
Sharan Gahe Ki Lajja, Rakhiyo Jagadambe,
Sankat Tu Hi Nivare, Dayamayi Ambe.
Jai Santoshi Mata
Skhukravar Priya manathi, Aaj Divas Sohi
Bhakt Mandali Chayi, Katha Sunath Mohi
Jai Santoshi Mata
Santoshi Ma Ki Arati Jo Koi Jan Gaave,
Riddhi-Siddhi Sukh Sampati, Ji Bharakar Pave.
Jai Santoshi Mata…
Jai Santoshi Mata, Maiya Santoshi Mata,
Apane Sevak Jan Ki,Sukh Sampati Data.
Jai Santoshi Mata

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Maha Laxmi Aarthi



On Diwali Laxmi (Maha Lakshmi) Aarti is being Recieted after performing Lamxi Pooja
Jai lakshmi maataa, Maiyaa jaya lakshmi maataa
Tumako nishadina dhyaavata, Hara vishnu vidhaataa

Glory to you, O Mother, glory to you, mother Lakshmi. Shiva, Vishnu and Brahma meditate on you everyday and night.
Brahmaanii, rudraanii, kamalaa, Tuuhii hai jaga maataa
Suurya chandramaa dhyaavata, Naarada rishi gaataa

You are the wife of Brahma, Rudra and Vishnu and the mother of the world. The sage Narada sings your praises and the Sun and the Moon meditate on you.
Durgaa ruupa nirantara, sukha sampati daataa
Jo koi tumako dhyaavata, riddhi siddhi dhana paataa

As Durga, you grant both happiness and prosperity; he who worships you recieves prosperity and accomplishment
Tuuhii hai paataala basantii, Tuuhii shubha daataa
Karma prabhaava prakaashaka, Jaganidhi ke traataa

Only you live in the nether regions of the earth and you alone ensure good luck, bring to light the effect of Karma (action) and protect all worldly treasures.
Jisa ghara mein tuma rahatii, saba sadaguna aataa
Kara sake koii kara le, mana nahin ghabaraataa

All the virtues collect themselves where you have your house; with your grace and favour even the impossible becomes possible without causing any nervous agitation.
Tuma bina yagya na hove, Vastra na koii paataa
Khaana paana kaa vaibhava, Saba tumase hii aataa

No sacrifice can be performed without your blessing, no one can obtain any clothes without you; it is from you that one obtains one’s food and drink.
Shubha guna mandira sundara, Kshirodadhi jaataa
Ratana chaturdasha tuma hii, Koii nahiin paataa

O daughter of the Ocean of Milk and the temple of all virtues, you are endowed with all the fourteen gems which no one else has.
Aartii lakshmii jii kii, Jo koii nara gaataa
Ura aananda umanga ati, Paapa utara jaataa 
Whosoever sings this prayer to Lakshmi is purged of his sins and experiences the ecstasy of joy.


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Hanuman Aarti


Aarti KiJai Hanuman Lala Ki. DrishDalan Raghunath Kala Ki.
Jakey Bal Se Girivar Kaanpey. Rog-Dosh Jaakey Nikat Na Jhaapey.
Anjani Putra Maha Baldai. Santan Ke Prabhu Sada Sahai.
De Bira Raghunath Pathaye. Lanka Jaari Siya Sudhi Laye.
Lanka So Kot Samudra Si Khai. Jaat Pavansut Baar Na Laai.
Lanka Jaari Asur Sanhaarey. Siyaramjike Kaaj Savarey.
Laxman Moorchit Padey Sakaarey. Aani Sanjeevan Pran Ubaarey.
Paithy Pataal Tori Jam-Kaarey. Ahiravan Ki Bhuja Ukhaarey.
Baaye Bhuja Asur Dal Maarey. Dahiney Bhuja Santjan Taarey.
Sur Nar Muni Aarti Utaarey. Jai Jai Jai Hanuman Uchaarey.
Kanchan Thaar Kapoor Lo Chaai. Aarti Karat Anjana Mai.
Jo Hanuman Ji Ki Aarti Gaavey. Basi Baikunth Param Pad Paavey.

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Shirdi Sai Baba Aarti


Om Jai Jagadish Hare Swami Sathya Sai HareBhaktajana Samrakshaka Bhaktajana Samrakshaka
Parthimaheshwara Om Jai Jagadish Hare
Shashivadana Shreekara Sarva Pranapathe
Swami Sarva Pranapathe
Aashrita Kalpalatheeka
Aashrita Kalpalatheeka
Aapathbaandhava
Om Jai Jagadish Hare
Mata Pita Guru Daivamu Mariyanthayu Neeve
Swami Mariyanthayu Neeve
Nadabrahma Jagannatha
Nadabrahma Jagannatha
Nagendrashayana
Om Jai Jagadish Hare
Omkara Rupa Om Jai Shiva Sai Mahadeva
Sathya Sai Mahadeva
Mangala Aarti Anduko
Mangala Aarti Anduko
Mandaragiridhari
Om Jai Jagadish Hare
Narayana Narayana Om Sathya
Narayana Narayana Narayana Om
Narayana Narayana Om Sathya
Narayana Narayana Om Sathya
Om Jai Satguru Deva

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Aarti Kunjbihari Ki – Lord Sri Krishna Bhajan

Aarti Kunjbihari Ki is the aarti of Shri Kunj Bihari, one of the thousand names of Sri Krishna. Shri Kunj bihari literally means one who loves to walk in gardens. Aarti Kunj Bihari Ki is one of the beautiful Popular devotional Hindi Bhajan song. Thiis Bhjan is the most widely sung Lord Krishna Song on Krishna Janmashtami or Srikrishna Jayanti Day, the birth day of Sri Krishna.

Aarti Kunj Bihari Bhajan Lyrics – Lord Sri Krishna Bhajan Popular Song :

Aarti Kunj Bihari Ki
Shri Girdhar Krishna Murari Ki
Gale Mein Baijanti Mala, Bajave Murali Madhur Bala
Shravan Mein Kundal Jhalakala, Nand Ke Anand Nandlala
Gagan Sam Ang Kanti Kali, Radhika Chamak Rahi Aali
Latan Mein Thadhe Banamali
Bhramar Si Alak, Kasturi Tilak, Chandra Si Jhalak
Lalit Chavi Shyama Pyari Ki
Shri Giradhar Krishnamuraari Ki

Aarti Kunj Bihari Ki
Shri Girdhar Krishna Murari Ki ( 2)

Kanakmay Mor Mukut Bilse, Devata Darsan Ko Tarse
Gagan So Suman Raasi Barse
Baje Murchang, Madhur Mridang, Gwaalin Sang
Atual Rati Gop Kumaari Ki
Shri Giradhar Krishna Murari Ki

Aarti Kunj Bihari Ki
Shri Girdhar Krishna Murari Ki  (2)

Jahaan Te Pragat Bhayi Ganga, Kalush Kali Haarini Shri Ganga,
Smaran Te Hot Moh Bhanga
Basi Shiv Shish, Jataa Ke Biich, Harei Agh Kiich;
Charan Chhavi Shri Banvaari Ki.
Shri Giradhar Krishnamuraari Ki…

Aarti Kunj Bihari Ki
Shri Girdhar Krishna Murari Ki (2)

Chamakati Ujjawal Tat Renu, Baj Rahi Vrindavan Benu
Chahu Disi Gopi Gwaal Dhenu
Hansat Mridu Mand, Chandani Chandra, Katat Bhav Phand
Ter Sun Diin Bhikhaarii Kii
Shri Giradhar Krishnamuraari Ki

Aarti Kunj Bihari Ki
Shri Girdhar Krishna Murari Ki (5)

 

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Sri Krishna Aarti


Jai Shri Krishna Hare Prabhu Jai Shri Krishna HareSakal Jagat Ke Praani Dukh Santaap Hare
Jai Shri Krishna Hare
Mor Mukut Sir Sohey Kar Murali Dhari
Sur Nar Muni Sab Mohe Sundar Chhavi Pyaari
Jai Shri Krishna Hare
Ukhal Aap Bandha Kar Yamularjun Haari
Vrindavan Prabhu Aakar Lila Bahut Kari
Jai Shri Krishna Hare
Aadha Bakasur Mor Brahma Moh Taari
Adhbut Khel Dikhakar Kali Naag Hari
Jai Shri Krishna Hare
Paan Kiya Daavanal Gir Puja Kini
Lila Raas Rachakar Sudh Budh Har Lini
Jai Shri Krishna Hare
Prem Sahit Nit Aarti Arjun Mein Gaaoo
Charan Kamal Sang Prati Yeh Prabhu Var Chahoo
Jai Shri Krishna Hare

 

In Hinduism Lord Shiva is worshipped as one of the main Diety of Trimurthi. According to Vedas, Puranas and Hindu Mythology this universe is formed from 3 Divines, in which Bramha is the Creator, Vishnu is the Preserver or Maintainer, and Shiva is the Destroyer or Transformer.So these three Divines are called Trimurthis.(thri-means 3,murthis means Gods).  Lord Shiva and Lord Vishnu are both regarded as same,equal and Main Divines along with Devi Maa in Hinduism. Those Dieties who worship Lord Shiva are called Shaivites or Shaivas . Lord Shiva is usually depecited and worshiped in Linga form.
 Lord Shiva is unique  with his ”Three Eyes“(Trinetra) “Blue Throat” “Crescent Moon on his head ” Gangadhar“(bearer of river ganga), Garland of a Snake, Wores and Seated upon a tiger skin,  holds Trishul with drums, Ashes all over body. Lord Shiva apperas in meditation, as a dancer (nataraja),  both an ascetic yogin and as a householder (wife paravathi, two sons ganesha and karthikeya) teacher of yoga, music, and wisdom, and giving exposition on the shastras. One another form of Shiva is Ardhanarishvara (one half of the body as male, and the other half as female) teaches both men and female are equal . lord Shiva is also referes as Ganagadhar, Pasupathi (his vahana nandi a bull), Mahadeva,Mahesvara, Parameshwara, Chandrasekhara, Nilakanta, Bheesmeshwara..etc which are in his Sahasthranamas and Astotharas.
Shiva-Linga is worshiped all over india, china, also other Hindus. He is Shambho, whose being is peace and also Ishwara, whose perception is without limitation. He is the Consciousness of Infinite Goodness takes us beyond the mind. Shiva will be prassana (bless you) even with bhelwapathra,(a leaf)  or abhishekha(milk on linga) or atleast some water on shivlinga.
Siva Mantra :
Om Namah Shivaya”

மதுரை பக்தர் கனவில் உத்தரவு : சிவன்மலை முருகன் கோவிலில் ஆற்று மணலை வைத்து பூஜ




சென்னிமலை: சிவன்மலை முருகன் கோவில் ஆண்டவர் உத்தரவுப்படி தற்போது ஆற்று மணலை வைத்து பூஜை நடக்கிறது. இதனால், மணல் விலை பல மடங்கு அதிகரிக்குமென பக்தர்கள் தெரிவிக்கின்றனர்.திருப்பூர் மாவட்டம் சிவன்மலையில் மலை மீது எழுந்தருளியுள்ள ஸ்வாமி சுப்பிரமணியர், பக்தர்களின் கனவில் தோன்றி கூறும் பொருட்களை கோவிலில் வைத்து, அதற்கு சிறப்பு பூஜை நடத்துவது தொற்றுதொட்டு நடக்கும் வழக்கம்.

கடந்த இரண்டு மாதங்களாக வெள்ளோடு மேட்டுப்பாளையத்தை சேர்ந்த கிருஷ்ணமூர்த்தி என்பவர் கனவில் வந்த முருகப்பெருமான், 500 ரூபாய் பணத்தை வைத்து பூஜிக்குமாறு ஆணையிட்டார். மூலஸ்தானத்தில் பூ உத்தரவு கேட்கப்பட்டு, டிசம்பர் 11ம் தேதி முதல் 500 ரூபாய் பணத்தை கோவிலில் வைத்து பூஜை நடந்து வந்தது.

மதுரை ஆண்டாள் புரத்தை சேர்ந்தவர் ராஜராம். இவர் பொங்கலுக்கு முதல் நாள் ஜனவரி 13ம் தேதி கோவிலுக்கு வந்தார். “தன் கனவில் தோன்றிய சிவன்மலை முருகப்பெருமான், ஆற்று மணல் வைத்து பூஜை நடத்துமாறு உத்தரவு கொடுத்துள்ளார்’ என்று கூறினார்.கோவில் வழக்கப்படி, திருக்கோவில் நிர்வாகத்தினர் மூலஸ்தானத்தில் ஸ்வாமிக்கு சிறப்பு அபிஷேகம் செய்து, பூ உத்தரவு கேட்டனர். ஸ்வாமியின் உத்தரவு கிடைத்ததால், 13ம் தேதி முதல் ஆற்று மணலை சிறிய மூட்டையாக கட்டி வைத்து தினமும் பூஜை நடந்து வருகிறது. இதனால், நாட்டில் வீடு கட்டுவதற்கு மணல் பற்றாக்குறை ஏற்பட்டு, விலை பல மடங்கு அதிகரிக்குமென பக்தர்கள் கருதுகின்றனர்.

இப்படித்தான் இதற்கு முன் வெற்றிலைப் பாக்கு வைத்து பூஜை நடந்த போது, சுபகாரியங்கள் அதிகம் நடந்தன. அதற்கு முன் விபூதி வைத்து பூஜை நடந்த போது, நாட்டில் அதிகப்படியான கோவில்களில் குடமுழுக்கு நடந்தது; மக்களிடம் ஆன்மிக ஈடுபாடு அதிகரித்தது.அதற்கு முன் மண்ணை வைத்து பூஜை நடந்த போது, ரியல் எஸ்டேட் தொழில் செழித்து பூமி விலை பல மடங்கு அதிகரித்தது. அதற்கு முன் ஒரு படி அரிசியும்; 100 ரூபாய் பணமும் வைத்து பூஜை நடந்தது. அதனால், அரிசி விலை பல மடங்கு உயர்ந்தது; தற்போதும் உயர்ந்து வருகிறது.தற்போது மணல் வைத்து பூஜை நடப்பதால் மணல் பற்றாக்குறை ஏற்பட்டு, ஆற்று மணல் விலை பல மடங்கு அதிகரிக்குமென சிவன்மலை முருக பக்தர்கள் பெரிதும் நம்புகின்றனர்.

October 07, 2011

Shiva Vishnu

Hinduism is the predominant and indigenous religious tradition of the Indian Subcontinent. Hinduism is often referred to as Santana Dharma (a Sanskrit phrase meaning “the eternal law”) by its adherents. Generic “types” of Hinduism that attempt to accommodate a variety of complex views span folk and Vedic Hinduism to bhakti tradition, as in Vaishnavism. Hinduism also includes yogic traditions and a wide spectrum of “daily morality” based on the notion of karma and societal norms such as Hindu marriage customs. Hinduism is formed of diverse traditions and has no single founder. Among its roots is the historical Vedic religion of Iron Age India, and as such Hinduism is often called the “oldest living religion”Full citation needed or the “oldest living major religion”. A large body of texts is classified as Hindu, divided into ?ruti (“revealed”) and Smriti (“remembered”) texts. These texts discuss theology, philosophy and mythology, and provide information on the practice of dharma (religious living). Among these texts, the Vedas are the foremost in authority, importance and antiquity. Other major scriptures include the Upanishads, Pur??as and the epics Mah?bh?rata and R?m?ya?a. The Bhagavad G?t?, a treatise from the Mah?bh?rata, spoken by Krishna, is of special importance. Etymology – Valmiki, a contemporary of Rama composes the Ramayana. The word Hindu is derived from the Sanskrit word Sindhu, the historic local appellation for the Indus River in the northwestern part of the Indian subcontinent. and is first mentioned in the Rig Veda. The word Hindu was first used by Arab invaders and then went further west by the Arabic term al-Hind referring to the land of the people who live across river Indus. and the Persian term Hind? referring to all Indians. By the 13th century, Hindust?n emerged as a popular alternative name of India, meaning the “land of Hindus”. Originally, Hindu was a secular term which was used to describe all inhabitants of the Indian subcontinent (or Hindustan) irrespective of their religious affiliation. It also occurs sporadically in Sanskrit texts such as the later Rajataranginis of Kashmir (Hinduka, c. 1450), some 16th-18th century Bengali Gaudiya Vaishnava texts, including Chaitanya Charitamrita and Chaitanya Bhagavata, usually to contrast Hindus with Yavanas or Mlecchas. It was only towards the end of the 18th century that the European merchants and colonists referred collectively to the followers of Indian religions as Hindus. Eventually, it came to define a precisely religious identity that includes any person of Indian origin who neither practiced Abrahamic religions nor non-Vedic Indian religions, such as Jainism, Buddhism, Sikhism, or tribal (Adivasi) religions, thereby encompassing a wide range of religious beliefs and practices related to San?tana Dharma. The term Hinduism was introduced into the English language in the 19th century to denote the religious, philosophical, and cultural traditions native to India.

History

The earliest evidence for prehistoric religion in India date back to the late Neolithic in the early Harappan period (5500–2600 BCE). The beliefs and practices of the pre-classical era (1500–500 BCE) are called the “historical Vedic religion”. Modern Hinduism grew out of the Vedas, the oldest of which is the Rigveda, dated to 1700–1100 BCE. The Vedas center on worship of deities such as Indra, Varuna and Agni, and on the Soma ritual. Fire-sacrifices, called yajña were performed, and Vedic mantras chanted but no temples or icons were built. The oldest Vedic traditions exhibit strong similarities to Zoroastrianism and other Indo-European religions. The major Sanskrit epics, Ramayana and Mahabharata, were compiled over a protracted period during the late centuries BCE and the early centuries CE. They contain mythological stories about the rulers and wars of ancient India, and are interspersed with religious and philosophical treatises. The later Puranas recount tales about devas and devis, their interactions with humans and their battles against demons. Three major movements underpinned the naissance of a new epoch of Hindu thought: the advent and spread of Upanishadic, Jaina, and Buddhist philosophico-religious thought throughout the broader Indian landmass. Mahavira (24th Tirthankar of Jains) and Buddha (founder of Buddhism) taught that to achieve moksha or nirvana, one did not have to accept the authority of the Vedas or the caste system. Buddha went a step further and claimed that the existence of a Self/soul or God was unnecessary. Buddhism peaked during the reign of Asoka the Great of the Mauryan Empire, who unified the Indian subcontinent in the 3rd century BCE. After 200 CE several schools of thought were formally codified in Indian philosophy, including Samkhya, Yoga, Nyaya, Vaisheshika, Purva-Mimamsa and Vedanta. Charvaka, the founder of an atheistic materialist school, came to the fore in North India in the sixth century BCE. Between 400 BCE and 1000 CE Hinduism expanded at the expense of Buddhism. Sanskritic culture went into decline after the end of the Gupta period. The early medieval Puranas helped establish a religious mainstream among the pre-literate tribal societies undergoing acculturation. The tenets of Brahmanic Hinduism and of the Dharmashastras underwent a radical transformation at the hands of the Purana composers, resulting in the rise of a mainstream “Hinduism” that overshadowed all earlier traditions. Though Islam came to India in the early 7th century with the advent of Arab traders and the conquest of Sindh, it started to become a major religion during the later Muslim conquest in the Indian subcontinent. During this period Buddhism declined rapidly and many Hindus converted to Islam. Numerous Muslim rulers such as Aurangzeb destroyed Hindu temples and persecuted non-Muslims; however some, such as Akbar, were more tolerant. Hinduism underwent profound changes, in large part due to the influence of the prominent teachers Ramanuja, Madhva, and Chaitanya.
Followers of the Bhakti movement moved away from the abstract concept of Brahman, which the philosopher Adi Shankara consolidated a few centuries before, with emotional, passionate devotion towards the more accessible Avatars, especially Krishna and Rama. Indology as an academic discipline of studying Indian culture from a European perspective was established in the 19th century, led by scholars such as Max Müller and John Woodroffe. They brought Vedic, Puranic and Tantric literature and philosophy to Europe and the United States. At the same time, societies such as the Brahmo Samaj and the Theosophical Society attempted to reconcile and fuse Abrahamic and Dharmic philosophies, endeavouring to institute societal reform. This period saw the emergence of movements which, while highly innovative, were rooted in indigenous tradition. They were based on the personalities and teachings of individuals, as with Ramakrishna and Ramana Maharshi. Prominent Hindu philosophers, including Aurobindo and Prabhupada (founder of ISKCON), translated, reformulated and presented Hinduism’s foundational texts for contemporary audiences in new iterations, attracting followers and attention in India and abroad. Others such as Vivekananda, Paramahansa Yogananda, B.K.S. Iyengar and Swami Rama have also been instrumental in raising the profiles of Yoga and Vedanta in the West. Today modern movements, such as ISKCON and the Swaminarayan Faith, attract a large amount of followers across the world. Typology – Hinduism as we know it can be subdivided into a number of major currents. Of the historical division into six darshanas, only two schools, Vedanta and Yoga survive. The main divisions of Hinduism today are Vaishnavism, Shaivism, Smartism and Shaktism. Hinduism also recognizes numerous divine beings subordinate to the Supreme Being or regards them as lower manifestations of it. Other notable characteristics include a belief in reincarnation and karma, as well as in personal duty, or dharma. McDaniel (2007) distinguishes six generic “types” of Hinduism, in an attempt to accommodate a variety of views on a rather complex subject: Folk Hinduism, as based on local traditions and cults of local deities at a communal level and spanning back to prehistoric times or at least prior to written Vedas. Vedic Hinduism as still being practiced by traditionalist brahmins (for example shrautins) Red Carpet Cafe. Vedantic Hinduism, for example Advaita (Smartism), as based on the philosophical approach of the Upanishads. Yogic Hinduism, especially that based on the Yoga Sutras of Patanjali. “Dharmic” Hinduism or “daily morality”, based on the notion of Karma, and upon societal norms such as Hindu marriage customs. Bhakti or devotionalism, especially as in Vaishnavism. Shiva (meaning “auspicious one”) is a major Hindu deity, and the Destroyer or transformer among the Trimurti, the Hindu Trinity of the primary aspects of the divine. In the Shaiva tradition of Hinduism, Shiva is seen as the Supreme God. In the Smarta tradition, he is regarded as one of the five primary flavours of God. Followers of Hinduism who focus their worship upon Shiva are called Shaivites or Shaivas (Sanskrit ?aiva). Shaivism, along with Vaisnava traditions that focus on Vishnu and ??kta traditions that focus on the goddess Shakti, is one of the most influential denominations in Hinduism.Shiva is usually worshipped in the abstract form of Shiva linga. In images, he is represented as a handsome young man immersed in deep meditation or dancing the Tandava upon Apasmara, the demon of ignorance in his manifestation of Nataraja, the lord of the dance. It is said that he looks like an eternal youth because of his authority over death, rebirth and immortality. He is also the father of Ganesha and Murugan.

Etymology and Other Names

The Sanskrit word Shiva (Devanagari: ???, ?iva) is an adjective meaning “auspicious, kind, gracious”. As a proper name it means “The Auspicious One”, used as a name for Rudra. In simple English transliteration it is written either as Shiva or Siva. The adjective ?iva, meaning “auspicious”, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.The Sanskrit word ?aiva means “relating to the god Shiva”, and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: “The Pure One”, or “the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)” or “the One who purifies everyone by the very utterance of His name.” Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means “the One who is eternally pure” or “the One who can never have any contamination of the imperfection of Rajas and Tamas”. Shiva’s role as the primary deity of Shaivism is reflected in his epithets Mah?deva (“Great God”; mah? = Great + deva = God), Mahe?hvara (“Great Lord”; mah? = Great + ??hvara = Lord), and Parame?hvara (“Supreme Lord”). There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anu??sanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the ?atarudriya, is a devotional hymn to Shiva hailing him by many names. Vishnu (Sanskrit Visnu) is the Supreme God in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God. The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of—and beyond—the past, present and future, one who supports, sustains and governs the Universe and originates and develops all elements within. Vishnu governs the aspect of preservation and sustenance of the universe, so he is called ‘Preserver of the universe’. In the Puranas, Vishnu is described as having the divine colour of water filled clouds, four-armed, holding a lotus, mace, conch (shankha) and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a ‘Universal Form’ (Vishvarupa) which is beyond the ordinary limits of human perception or imagination.The Puranabharti also describes each of these Dasavatara of Vishnu. Among these ten principal Avatara described, nine have occurred in the past and one will take place in the future, at the end of Kali Yuga. In the commentary of creator Brahma in Vishnu Sahasranamam, he refers to Vishnu as “Sahasrakoti Yuga Dharine”, which means that these incarnations take place in all Yugas in cosmic scales, the avatars and their stories show that god is indeed unimaginable, unthinkable and unbelievable. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma and vanquish negative forces, the forces of evil that threaten Dharma, as also to display His divine nature in front of the conditioned/fallen souls. In almost all Hindu denominations, Vishnu is either worshipped directly or in the form of his ten avatara, most famous of whom are Rama and Krishna.The Trimurti (English: ‘three forms’; Sanskrit: trim?rti) is a concept in Hinduism “in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Vishnu the maintainer or preserver, and Shiva the destroyer or transformer.” These three deities have been called “the Hindu triad” or the “Great Trinity”. Of the three members of the Trimurti, the Bhagavata Purana, which espouses the Vaishnavite viewpoint, explains that the greatest benefit can be had from Vishnu.

Name

The name Visnu is Rigvedic, denoting a minor deity personifying light and the Sun, often invoked as a companion of Indra, in four instances (especially in RV 6.69) in a dvandva compound, Indravisnsnu. The name has no certain etymology; it is unattested in Iranian (but Iranian Rašnu is perhaps an indication that the name existed in Indo-Iranian and was replaced in Iranian). The most common interpretation is as vi-snu- from vi- “apart, across” and the zero grade of s?nu “summit, ridge, mountain-top”, as in “he who steps across / spreads out the mountains”, c.f. RV 1.62.5c (of Indra): vi bh?my? aprathaya indra s?nu (“Thou Indra, hast spread out the earth’s high ridges”); but connection to the verbal root vi? “to be active, work, perform” has also been suggested. The traditional explanation of the name Visnu involves the root vi?, meaning “to settle” (cognate with Latin vicus, English -wich “village”), or also (in the Rigveda) “to enter into, to pervade”, glossing the name as “the All-Pervading One”.citation needed An early commentator on the Vedas, Yaska, in his Nirukta, defines Vishnu as vishnu vishateh “one who enters everywhere”, and yad vishito bhavati taddjwojopwjepq, “that which is free from fetters and bondages is Vishnu.” Vishnu itself is the second name in the Vishnu Sahasranama, the thousand names of Vishnu. Adi Sankara in his commentary on the sahasranama states derivation from vi?, with a meaning “presence everywhere” (“As he pervades everything, vevesti, he is called Visnu”,). Adi Sankara states (regarding Vishnu Purana, 3.1.45): “The Power of the Supreme Being has entered within the universe. The root vi? means ‘enter into.’” Swami Chinmayananda, in his translation of Vishnu sahasranama further elaborates on that verse: “The root Vis means to enter. The entire world of things and beings is pervaded by Him and the Upanishad emphatically insists in its mantra ‘whatever that is there is the world of change.’ Hence, it means that He is not limited by space, time or substance. Chinmayananda states that which pervades everything is Vishnu.” Characteristics – The number of auspicious qualities of Vishnu as the supreme God are countless, with the following six qualities being the most important: Jñ?na (Omniscience), defined as the power to know about all beings simultaneously – Aishvarya (Sovereignty), derived from the word Ishvara, which consists in unchallenged rule over all – Shakti (Energy), or power, which is the capacity to make the impossible possible – Bala (Strength), which is the capacity to support everything by will and without any fatigue – V?rya (Vigor), which indicates the power to retain immateriality as the supreme being in spite of being the material cause of mutable creations – Tejas (Splendor), which expresses His self-sufficiency and the capacity to overpower everything by His spiritual effulgence.

A Hymn to Kalagni Rudra




"Rudra is truly one; for the knowers of Brahman do not admit the existence of a second, He alone rules all the worlds by His powers. He dwells as the inner Self of every living being. After having created all the worlds, He, their Protector, takes them back into Himself at the end of time."




A Prayer to Kalagni Rudra:

Salutations to thee O Kalagni Rudra !
Salutations to thee O Mrithyunjaya , Salutations to thee O Gangadhara
Salutations to thee O Lord of all beings.

Thou art the killer of Time. Thou art the one in whom the worlds rest.
Thou art the one in whom Gods merge. Thou art one who slays all.

Thou art Brahman, Thou art One without second. Thou art the source of all
Thou art the one who gives delight. Thou art the one who created the creator.
Thou art the one who created Time. Thou art the one in whom the 'Time' moves.
Thou art auspicious. Thou art Nirguna
Thou art the source of Prakriti. Thou art the rest place of all creatures.
Thou art the one who is beyond the reach of senses. Thou art the one who is beyond comprehension.
Thou art the Supreme Self. Thou art the Sole refuge for all beings

Thou art Agni, Thou art Mitra, Thou art Varuna, Thou art Vishnu, Thou art Indra,
Thou art Prajapathi. Thou art greater than the great. 
Thou art Truth, Thou art auspicious, Thou art Non-dual Brahman. 

"It is because Thou, O Lord, art birthless, that some rare souls, frightened by birth and death, take refuge in Thee. O Rudra, may Thy benign face protect me for ever!"

O Rudra.... Salutations to thy wrath
Who can stand before thee, O mighty Lord, when thou stand as 'Mahakala'
Neither men nor gods can stand before thee, O Rudra !
Thy wrath alone makes the Gods shiver with fear.
Thy wrath alone is sufficient to burn the worlds into ashes.
Thy wrath alone is sufficient to make the creation merge in you !

Thou art superior to death. Thou art the killer of death(kala).
Thou art superior to kama. Thou art the killer of  kama(birth).
Thou art the one who kicked both Kama and Kala.

O Lord, the fury of Thee who became a hunter with a bow in hand has not as yet left Brahmā though, keenly pierced by Thy arrow and terror stricken, he has fled to the sky.

O Rudra, that Kama(cupid)  whose arrows do not fail anywhere in the world of gods, demons and men but are always successful became simply an object of memory by looking upon Thee as an ordinary god like Brahma et al.

O Mighty lord, that foolish Daksha thought gods are sufficient for the sacrifice and negected thou, the creator of gods, O Parameshwara. The sacrifice being destroyed Thou ever remainest the connecting link between the sacrificers and the fruit of the sacrifice. When does the destroyed sacrifice bear fruit, if not accompanied by the worship of the Lord? Therefore knowing Thee to be the giver of fruits and putting faith in the Vedas, people become resolute about the performance of sacrifical rites.

Thou Giver of refuge, even the sacrifice where Daksha prajapati, an expert in sacrifices was the sacrificer, Rishis were priests, gods were supervisors, was destroyed by Thee though Thou art bent upon giving fruits of the sacrifices. Surely the sacrifices cause injury to the sacrificers in the absence of devotion to thee, O Absolute Brahman.

O Lord we know that, verily, thou art the embodiment of Mercy.
O Rudra, only the wise can know that Thy anger is a Divine play made by thee to delude us.
Thou art beyond all Gunas. Thou art Nirguna. Thou art beyond both wrath and mercy.
Thou art one without second.  Take away thy wrath and show mercy on us, O Shiva.